The theme of Imereti in ancient Georgian writing

Abstract

In ancient Georgian literature, the predominant themes often revolve around events occurring in various regions of Georgia. Notably, Eastern Georgia’s regions like Kakheti, Tbilisi, Kvemo Kartli, and Mtskheta frequently depict events such as the torture of Abo, Estatia Mtskheli, and Gobroni. However, Imereti has received comparatively less attention until the Renaissance, when several works emerged shedding light on this region. Authors of these works expressed their perspectives on Imereti, delving into the lives, thoughts, and concerns of its inhabitants.

Renaissance poets dedicated their verses to kings and renowned fifigures, offffering a narrative of historical events rather than employing elaborate literary devices like metaphor or epithet. The use of the sixteen-syllable Rustaveli „shairi“ is common in these poems. However, there exists a subtle contradiction with „Persian rumors“, while the emphasis on national themes hints at the emergence of a national epic.

In the realm of Georgian literary history, Peshang’s contributions are often overlooked. It is commonly asserted that Peshang distorts historical reality, crafts panegyrics, and exhibits narrow patriotism. These perspectives require reevaluation.
Firstly, a work of art is not obligated to meticulously reflflect historical reality; it transcends mere chronicle. Secondly, Peshang advocates for the unifification of Georgia in his poem, praising fifigures like Shahnawaz and Archil, emphasizing respect for the king and unity among the people. Notably, Imereti is mentioned 27 times and Kutaisi six times in the poem. Analysis of the examples presented in the article suggests that Peshang’s work does not merely reflflect narrow patriotism. Rather, he evaluates historical events unfolding in Imereti from a national standpoint with objectivity and insight.